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Natalie Maines's first solo album is polished, adult rock

Natalie Maines's album 'Mother' is her first recording since the Dixie Chicks' 2006 album 'Take the Long Way Home.' Maines sets aside the playfulness that often marked her country music work in 'Mother.'

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Chris Pizzello/Invision/AP
Natalie Maines performs at the MusiCares Person of the Year tribute honoring Bruce Springsteen at the Los Angeles Convention Center.
  • By Michael McCall Associated Press

Natalie Maines's first solo album continues her movement into a deeply considered, provocative form of polished adult rock heard on her last recording, the Dixie Chicks's 2006 award-winning "Take the Long Way Home."

As with that album, Maines sets aside the cheeky playfulness that marked her success in country music. Instead, she carefully curates an album of covers and originals by other writers – with one strong original, "Take It On Faith." She leans hard on philosophical lyrics about self-identity (the title song, "Free Life") and the importance of strong relations ("Without You," ''Come Cryin' To Me"). Much like Maines's public persona since her fallout with the conservative right after speaking out against the Iraq war, the songs waver between gutsy stands and seeking shelter with those who care for and understand her.

Musically, producer Ben Harper gives her a lush background on intimate songs and a bluesy raucousness on up-tempo tunes. Maines shows how she can wail on rockers like Patty Griffin's "Silver Bell," but it's on Jeff Buckley's dramatic "Lover, You Should've Come Over" that she shows how effective she can be with emotional vulnerability and the power of the full range of her vocals.

Maines's talent once put the Dixie Chicks atop the country music world, which made the group's rejection and withdrawal such a loss. "Mother" finds Maines still affected by that controversy. But it also proves that, as an artist, she's still an American treasure.

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